Range setting, which limits the maximum applied gain change.
Fabfilter pro q2 oversampling full#
Multiple interface sizes (Small, Medium, and Large), plus Full Screen mode, offering a large level display and side-chain EQ controller. Audition Triggering option, which enables users to hear on which parts of the audio FabFilter Pro-C 2 is triggering and how much compression is being applied. Variable stereo linking and mid/side processing, with mid-only, side-only, M > S and S > M processing. Custom Knee, variable from hard knee to a 72 dB soft knee (to enable saturation-like effects). Smooth Lookahead (up to 20 ms), which can be enabled/disabled to ensure zero-latency processing. Program-dependent attack and release curves. Side-chain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter. Remarkable Retina interface, with (optional) animated level knee displays and accurate peak/loudness metering. Eight different compression styles, five of which are new in version 2: Vocal, Mastering, Bus, Punch and Pumping. In short, FabFilter Pro-C 2 wraps superb sound quality and an extensive feature set in a polished, timesaving user interface. Accurate level meters show the exact peak and loudness values, while the circular side-chain input meter turns finding the perfect threshold setting into a trivial task. The large animated level/knee display visualizes exactly when, why and how compression is applied to incoming audio. The well laid-out, fully-redesigned Retina interface offers insightful metering with real-time displays that will greatly improve workflow. Last but not least, advanced side-chain EQ’ing and M/S processing is easier than ever thanks to FabFilter Pro-C 2’s dedicated side-chain section. The optional high-quality oversampling (up to 4x) further ensures the most transparent results possible by reducing aliasing. 
The smooth lookahead (up to 20 ms) and hold settings help you to catch any peak while minimizing distortion.
The knee is now freely adjustable from 0 dB up to 72 dB, and the range setting lets you easily limit the maximum amount of gain change. To add a pleasant ‘glue’ to drums or mix buses, the Bus style will work wonders! Finally, the Punch style delivers traditional, analog-like compression behavior, which sounds good on anything, while the Pumping algorithm offers deep and over-the-top pumping - great for drum processing or EDM.Ī rich set of new features offers more control over the compressor’s sound and character. The Mastering style is designed to be as transparent as possible, while still being able to catch those fast transients. Using the Vocal style, getting a lead vocal upfront in your mix is as easy as choosing the right threshold. It’s like getting five new compressors! Together with an abundance of new features, such as lookahead, range, hold, side-chain EQ, oversampling, and a fully redesigned user interface, FabFilter Pro-C 2 surpasses its predecessor in every way while respecting the original’s transparency and elegance.įabFilter Pro-C 2 introduces five new, carefully designed compressor algorithms, each with a unique character and feel. FabFilter Pro-C 2 has been officially released!įive brand-new compression styles make FabFilter Pro-C 2 even easier to set up and more effective in common scenarios such as vocal processing, mastering or EDM pumping.
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